Not unlike her revolutionary predecessors in Paris at the turn of the 20th century, whose early excitement and interest in African tribal art helped to stimulate the world-wide modernist movement, African imagery has dominated Schuster’s artistic vision throughout her long career and was ignited when, in the early 1960s, she first encountered collections of African tribal art in New York’s Brooklyn and Metropolitan Museums. The power of these works inspired her to seek out African American models and to make countless drawings and collages based upon the beauty and energy she saw in their faces and bodies.

Beginning in her mid ’20s, with a spectacular group of giant heads, rendered in charcoal, multi-media and collage that are often close to six feet in height, they have become a symbolic spearhead of her long and productive career. Over the years these early works have been widely collected and exhibited, and their themes continue to animate Schuster’s art - a vision that has continued on a smaller scale through many works on paper that also include her stunning oeuvre as a master printmaker.

Ms. Schuster’s work speaks for itself, as does her extraordinary curriculum vitae, which is included below.